![]() ![]() ![]() 95: Jefferson Airplane: Long John Silver (design by Pacific Eye & Ear) On an album that made a mad dash through the whole of pop history, Nick Lowe pictured himself in a bunch of different guises, from rockabilly hoodlum to sensitive balladeer (there were different pics on the US and UK versions), all with tongue firmly in cheek. As he rapped on Wu-Tang’s “Dog Sh_t,”: “Got meals but still grill that old good welfare cheese.” 96: Nick Lowe: Jesus of Cool/Pure Pop for Now People (design by Barney Bubbles) Forgoing any blinged-out tropes, the former Wu-Tang member put a doctored version of his welfare ID card on the front cover of his solo debut, as both a reminder of where he came from and to destigmatize being on public assistance. Whenever hip-hop started to take itself too seriously, ODB was there to disrupt, agitate, and give the middle finger to convention. Listen here: 97: Ol’ Dirty Bastard: Return to the 36 Chambers: The Dirty Version (design by Alli Truch, photo by Danny Clinch) Put the notorious bathroom cover together with the engraved invitation on the US replacement, and you’ve got the yin and the yang of The Rolling Stones at the time. Listen here: 98: The Rolling Stones: Beggars Banquet (design by Barry Feinstein)īeggars Banquet is a rare case where an album’s two famous covers really complement each other. The red velvet cover, with gold embossed lettering, served notice that Odessa was going to be unique and beautiful, which it was. If The Beatles could do a double “ White Album,” the Bee Gees could do a fuzzy red one. On their 1969 debut, the cavorting characters were there to remind you how much fun rock’n’roll was supposed to be. 100: The Flamin’ Groovies: Supersnazz (design by Cyril Jordan)īandleader Cyril Jordan’s terrific comic art has turned up on numerous The Flamin’ Groovies covers and posters over the decades. (Artists as varied as Young Thug and Glass Animals can attest to that.) So, without further ado, here is our pick of just 100 of the greatest record covers of all-time. Pepper’s with the cover to the White Album and vice versa.) Even in today’s digital age, a cool record cover can have a huge impact. What we can say for sure, though, is that album covers are vitally important to how a record is received by the public. It doesn’t really matter what sort of adjective you want to put it in front of the words “album cover,” because lists of this sort of are always incredibly subjective. A rare accolade for a band of such longevity.The coolest, best, greatest, most iconic, most famous album covers of all-time. It follows their 2016 release ‘Born Into The Waves’ an album that many considered to be their most accomplished. Other than a period in their early years when they attracted attention from John Peel, the British music press and The Cure with whom they worked and supported on tours, they have operated mainly under the radar of the media and music industry as a whole, drawing inspiration from the dark underbelly of the British countryside and touring each of their 14 albums across Europe and as far afield as the USA and Japan. ‘And Also The Trees’ have been performing live and creatively developing since they formed in rural Worcestershire at the beginning of the post punk era in 1980. Their inclusion brings a twist to this band’s subtle yet intriguing evolution. ![]() Written and recorded over 3 years in London, Switzerland and in an ancient barn not far from their Midland’s roots, founding members Simon and Justin Jones who form the core of ‘And Also The Trees’ with maverick drummer Paul Hill are joined for the first time by Grant Gordon on bass guitar and Colin Ozanne on clarinet. Within the panorama and filmic landscapes that open up from the music, stories and fragments of stories are told, about people, the spaces they occupy, their closeness and the distance that lies between them. ![]()
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